Complexity and weight. Order and mishap. Where do the eyes find home? Can you distinguish between the individual textures, or is the whole photo the compilation of one main texture?

When darkness takes over the life of light shines brighter still. Are there patterns or spontaneity, planned communication or a crapshoot? In contrast to others in my project, does the black and white element change the experience?

Vibrancy. Amidst a dark abyss, these colors survive. Neon strokes proclaim, "Follow your gaze".

Attempts to develop three dimensional renderings of two dimensional subject matter. Can your eyes walk upon the hills and valleys? Can you touch the dimpling? What emotions come to life in the presence of these gentle colors?

There's an arrow, but must you follow? Notice the presence of full color and absent canvas. It's all abstract, make it what you want. Does the chaos of the picture communicate a need for structure or is this abstract communication quite realistic in nature? Life is chaos.

Contrast in color. Contrast in light. Bold lines, scattered strokes and fading exposure. What does it mean? How does it feel? Where do your eyes take you?

This photographic expression delves into the effects of abstract expressionism as a means to invoke human emotion and understanding through textures, contrast and sharpness of subject matter. Consciously I aimed to develop more than just a guttural feeling, but really, a feeling—a visual communication of a tangible and physical texture through a photographic medium. I wanted eyes to feel, not see, as if they could assume the sensational qualities of the hand. Particular attention to surfaces, distinguishing colors, lighting and cropping have made this communication successful. What’s more, all of the subject matter comes from artwork I have made myself in previous years, which adds a personal element—painting the pictures was a visual communication in and of itself, but the visual sensations of the pieces are heightened when photographic qualities are dramatized and manipulated. The beauty I find in this selection stems from the simple fact that abstract expressionism speaks differently to each viewer. Inspiration for this project was birthed from the photography of Aaron Siskend, who epitomized my efforts of capturing feelings and emotions by way of abstract expressionism. Although his photography served as a foundation for my ideas I ventured to develop colored photos—unlike his staple black and whites—and I went through an elaborate digital editing process to enhance the visual qualities of my photos whereas Siskend was a creature of the darkroom. I played off of Siskend’s style, but went a bit further, including subtle vignette effects, intensifying black points and trying out different perspectives. Ultimately this project serves most effectively as an experimentation; one that challenges viewers to subject their own understanding of my ideas. I present no obvious theme or bias. Rather, I embrace the chance to distort reality by way of artistic expression. I’ve done my part, I welcome you to decide the rest.

-Tyler Kurbat

Lighting

Although it was very tricky to work with the lighting in my room, i was able to capture some natural light and develop different tones for my pictures.Mostly, I worked with what was avaliable;soft light and some backlight. Lighting can drastically change a picture's mood. And, in hindsight, lighting hitting my blue fram created some dramatic effects that I'm very fond of.

Emphasis

Bikes are comprised of a variety of parts. Each part has a different feel, and life to the rider that knows their bike inside and out. Rubber, Metal, Plastic, Chromoly and many more resources piece my bike together. From a distance one may never see the subtleties, but they are there and I tried to focus in on them in the following pictures. Emphasis...

Composition

Since this assignment only allowed us to place the object in one setting, composition was a crucial factor in achieving pictures with different feelings. I noticed my bike was full of leading lines, so I ran with it. The frame and forks provided many different lines to focus on and draw in some new perspective. It was also interesting to see how the color of the bike became distorted further out along the frame adding a nice finishing touch to some pretty cool pictures. Using these lines, I felt I was able to elongate the picture and emphasize the design of the bicycle.

Texture

Bikes have all sorts of texture, you just have to know where to look. Whether it be the glossy finish of paint, the knurled pedals, worn tires or just the every day wear and tear, texture helps define a bike's character. My camera doesn't offer the best depth of field so I could not capture everything to it's true potential, but here's what I was able to snap.

Photographic Perspectives